Series of works on paper inspired by the  stray bullet collection . Using stippling technique, the picture appears as one gets further away but upon closer inspection one discovers punched holes ,the size of each dot, scattered throughout the image. On the verso side of the print, genuine gilding covers the entire “footprint" of the picture with the holes becoming significantly more visible. The gold evokes valuable lives at stake. The work is meant to be seen from both sides with a special pivoting frame.

Series of works on paper inspired by the stray bullet collection. Using stippling technique, the picture appears as one gets further away but upon closer inspection one discovers punched holes ,the size of each dot, scattered throughout the image. On the verso side of the print, genuine gilding covers the entire “footprint" of the picture with the holes becoming significantly more visible. The gold evokes valuable lives at stake. The work is meant to be seen from both sides with a special pivoting frame.

 Series of works on paper inspired by the  stray bullet collection . Using stippling technique, the picture appears as one gets further away but upon closer inspection one discovers punched holes ,the size of each dot, scattered throughout the image. On the verso side of the print, genuine gilding covers the entire “footprint" of the picture with the holes becoming significantly more visible. The gold evokes valuable lives at stake. The work is meant to be seen from both sides with a special pivoting frame.

Series of works on paper inspired by the stray bullet collection. Using stippling technique, the picture appears as one gets further away but upon closer inspection one discovers punched holes ,the size of each dot, scattered throughout the image. On the verso side of the print, genuine gilding covers the entire “footprint" of the picture with the holes becoming significantly more visible. The gold evokes valuable lives at stake. The work is meant to be seen from both sides with a special pivoting frame.

 Series of works on paper inspired by the  stray bullet collection.  Using stippling technique, the picture appears as one gets further away but upon closer inspection one discovers punched holes ,the size of each dot, scattered throughout the image. On the verso side of the print, genuine gilding covers the entire “footprint" of the picture with the holes becoming significantly more visible. The gold evokes valuable lives at stake. The work is meant to be seen from both sides with a special pivoting frame.

Series of works on paper inspired by the stray bullet collection. Using stippling technique, the picture appears as one gets further away but upon closer inspection one discovers punched holes ,the size of each dot, scattered throughout the image. On the verso side of the print, genuine gilding covers the entire “footprint" of the picture with the holes becoming significantly more visible. The gold evokes valuable lives at stake. The work is meant to be seen from both sides with a special pivoting frame.

 Series of works on paper inspired by the  stray bullet collection . Using stippling technique, the picture appears as one gets further away but upon closer inspection one discovers punched holes ,the size of each dot, scattered throughout the image. On the verso side of the print, genuine gilding covers the entire “footprint" of the picture with the holes becoming significantly more visible. The gold evokes valuable lives at stake. The work is meant to be seen from both sides with a special pivoting frame.

Series of works on paper inspired by the stray bullet collection. Using stippling technique, the picture appears as one gets further away but upon closer inspection one discovers punched holes ,the size of each dot, scattered throughout the image. On the verso side of the print, genuine gilding covers the entire “footprint" of the picture with the holes becoming significantly more visible. The gold evokes valuable lives at stake. The work is meant to be seen from both sides with a special pivoting frame.

 Series of works on paper inspired by the  stray bullet collection . Using stippling technique, the picture appears as one gets further away but upon closer inspection one discovers punched holes ,the size of each dot, scattered throughout the image. On the verso side of the print, genuine gilding covers the entire “footprint" of the picture with the holes becoming significantly more visible. The gold evokes valuable lives at stake. The work is meant to be seen from both sides with a special pivoting frame.

Series of works on paper inspired by the stray bullet collection. Using stippling technique, the picture appears as one gets further away but upon closer inspection one discovers punched holes ,the size of each dot, scattered throughout the image. On the verso side of the print, genuine gilding covers the entire “footprint" of the picture with the holes becoming significantly more visible. The gold evokes valuable lives at stake. The work is meant to be seen from both sides with a special pivoting frame.

 Series of works on paper inspired by the  stray bullet collection . Using stippling technique, the picture appears as one gets further away but upon closer inspection one discovers punched holes ,the size of each dot, scattered throughout the image. On the verso side of the print, genuine gilding covers the entire “footprint" of the picture with the holes becoming significantly more visible. The gold evokes valuable lives at stake. The work is meant to be seen from both sides with a special pivoting frame.

Series of works on paper inspired by the stray bullet collection. Using stippling technique, the picture appears as one gets further away but upon closer inspection one discovers punched holes ,the size of each dot, scattered throughout the image. On the verso side of the print, genuine gilding covers the entire “footprint" of the picture with the holes becoming significantly more visible. The gold evokes valuable lives at stake. The work is meant to be seen from both sides with a special pivoting frame.